In an era where social media functions as a vibrant platform for creative discourse, the battle over musical innovation has surfaced once again in Mzansi.
DJ and producer Heavy-K, born Mkhululi Siqula, has stirred a lively debate by asserting his role in the emergence of the 3-Step sound, a burgeoning genre within the Afro-house scene.
The 3-Step sound stands out for its distinctive rhythmic structure, characterised by a three-kick-drum pattern that breaks away from the conventional four-on-the-floor beat.
This innovative sound intertwines elements of amapiano, afro-house, afro-tech, and deep-house, crafting an auditory experience that resonates with deep basslines, log drums, atmospheric chords, and driving synths.
Heavy-K's recent Facebook post has sparked passionate discussions online.
He proclaimed, “Everyone has a right to claim whatever or have their own opinions about a sound! But the reality is I’m the blueprint!”
“I’ve been doing this sound way before and been switching it around in every way!”
His statement reflects his belief in the collective development of the genre and calls for unity among producers, encouraging a community approach to advancing the culture.
However, the responses to his declaration were mixed, with many users questioning his claims.
Comments poured in from all sides; some reprimanded Heavy-K, suggesting he should refrain from self-crediting.
One commenter stated, “You inspired but you didn’t create 3-Step bro,” while another accused him of seeking attention, declaring, “You are seeking attention and you got it.”
On the other hand, Heavy-K also found supporters who rallied in his defence.
A loyal fan exclaimed, “No one could have said it better. You are the boss,” while another remarked, “You're the OG, the blueprint, and the sound master! Keep creating and innovating, you're making waves!”
These contrasting perspectives highlight the ongoing rivalry over the origin of the 3-step sound.
In a follow-up post, Heavy-K reiterated his stance: “I actually inspired so many producers in this game that are too popular now to even admit it, so everyone has their own right!”
He reinforced the notion that all producers contributing to the 3-Step movement should unite in their efforts to develop the sound.
“All of us who produce 3-Step should be one movement and grow the culture!” he concluded.
In further replies, he maintained his stance, adding, “I think English is the problem because I didn’t claim I created 3-Step, but all I’m saying is we all take from each other!”
As the 3-Step sound continues to flourish, it remains to be seen how this conversation around its origins and the artists involved will evolve, shaping the future of the genre and its community.