London - “Legend has it that if a woman passes through the hole of Ponden Kirk rock, they'll marry within the year,” my guide, Stephen, said.
I doubted that any of the Brontë sisters scrambled down a steep hill and through a tiny crag, so I wasn't about to.
Deep in the heart of Brontë country, this rock is said to have been the inspiration for Penistone Crags in Wuthering Heights. From here I could take in the striking panoramic views of the Yorkshire moors and the little village of Haworth in the distance.
This year the cobblestone village begins Brontë200, which over five years will celebrate the bicentenary births of the region's (and perhaps Britain's) most famed literary family, the Brontës - starting with Charlotte's tomorrow. The imposing and dramatic landscape of the moors inspired her, along with sisters Emily and Anne, to write some of literature's most enigmatic and iconic fiction.
My tour began at Ponden Hall, the 17th-century building, now run as a B&B, that is believed to have inspired Emily's Wuthering Heights. From here we marched up the moors, not seeing a soul, following signs with directions in Japanese - a hint at the nationality of many of the area's literary pilgrims.
“It's hard to imagine the sisters walking through the moors in conditions like today, without proper coats and walking shoes, but they did.” Stephen said. I had to agree as we tramped along boggy tracks dotted with frozen puddles, thick grass and large rocks to Top Withens, a few miles further on from Ponden Kirk. This dilapidated farmhouse is thought by some to have been the basis for the Earnshaw family home in Wuthering Heights. A plaque on the side (“The building, even when complete, bore no resemblance to the house”) slightly dismantles that theory and belittles the tiring walk to reach it. But, still, it's worth it for the views.
Striding back down the valley, we visited Brontë Waterfall, a picnicking area popular with the sisters and later named after them. In dry weather, it's little more than a stream trickling down the valley, but after rain the waterfall is, according to Stephen, much more impressive; it was easy to imagine why the girls walked so far in tough conditions to spend time here.
Back at Ponden Hall, I checked into the Earnshaw Room (they really don't shy away from the Brontë connection round these parts), doing as Mr Lockwood did in Wuthering Heights by sleeping in a traditional 18th-century style box bed - it looks something like a freestanding wardrobe, and you climb in through a sliding door on the side. The room's tiny single-paned window, which the box bed surrounds, is where Emily supposedly imagined Cathy's ghost clawing at the glass.
But while Emily's local influence looms the largest, it was Charlotte who was the first sister to find success. Born six miles away in Thornton, Charlotte spent most of her life in Haworth, living at the parsonage with her father, sisters and brother, until she died at just 39.
The famous literary family home is now the Brontë Parsonage Museum, which contains the world's largest collection of Brontë memorabilia.
Inside, Tracey Chevalier (author of Girl With A Pearl Earring) has curated the exhibition Charlotte Great And Small (until 1 January 2017). The exhibition compares the author's physical slightness (just 4ft 10) and the constraints of her life as a woman with the huge size of her ambition. Like her most famous heroine, Jane Eyre, Charlotte was “small, plain and obscure”.
Quotes written on the walls and displayed alongside original artefacts epitomise the vast disparities. In a letter written to her aunt in 1841, Charlotte said: “Papa will, perhaps, think it a wild and ambitious scheme; but whoever rose in the world without ambition?” Her determination for greatness contrasts with her obsession with all things tiny, including a book she made, so small it sits in the palm of your hand.
But Charlotte, a storyteller of love, never told her own love story. Among the artefacts is a letter written in French to her professor in Belgium, for whom she pronounced her love.
Professor Constantin Heger became the object of her affections after she and Emily studied French literature in Brussels in 1842. The letters were torn up before being sewn back together: Rebecca Yorke of the museum speculates were probably repaired by his wife.
The rest of the museum remains much as the family would have known it. The father's study, with its piano and view of the church, the dark and rather cramped kitchen, and the little bedrooms are as they were. The best space is the dining room. This is where the sister's worked, long after their father had gone to bed, walking around the table, helping each other with their writing. On the table are the girls' original writing desks, where the stories of Jane Eyre and Wuthering Heights were penned.
Travel essentials
Getting there
The closest station is Keighley. Trainline (thetrainline.com) offers tickets from London Kings Cross via Leeds from £24.50 (about R500) one way.
Staying there
Ponden Hall (ponden-hall.co.uk). Doubles from £85 a night, B&B.
Visiting there Brontë Parsonage Museum (bronte.org.uk). The exhibition, Charlotte Great and Small, is on until 1 January 2017 (entry £7.50).
More information
visitengland.com
The Independent